I’m usually pretty good at over-interpreting meanings in movies — I still remember how quickly I pegged the crack epidemic to “Alien Nation” at a time when everyone was still pretending Lee Atwater was not the vilest dog whistler around. So why am I mystified as to the significance of the frozen corn in Sendak cinematized? The kid flees the house after spurning Birds Eye’s best, with a grandiose statement of his disdain. But why? Maybe Spike Jonze’s next project is with Saint Alice and other sanctimonious souls in the Bay Area: “Where the Chang Talks Aren’t.”